Las óleos de todo Theodore Gericault
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ID |
Image |
Painting (From A to Z) |
Details |
21750 |
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The Raft of the Medusa (mk10) |
1st sketch
1816
Oil on canvas 37.5 x 46 cm
Paris,musee du Louvre |
21752 |
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The Raft of the Medusa (mk10) |
2nd sketch
1816
Oil on canvas,65 x 83 cm
Paris,Musee du Louvre |
21759 |
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The Raft of the Medusa (mk10) |
1819,Oil on canvas,
491 x 716 cm
Paris,musee du Louvre |
21313 |
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The Raft of the Medusa (sketch) (mk09) |
C 1818/19
Oil on canvas 65 x 83 cm
Paris,Musee National du Louvre |
20872 |
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The Woman with Gambling Mania (mk05) |
Canvas 30 1/4 x 25 1/2''(77 x 65 cm)Given in 1938 R.F 1938-51 (S/AR) |
69511 |
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thomas, cenone refuse de secourir paris |
se |
69493 |
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trompette de hussards |
se |
69494 |
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trompette de hussards |
se |
69495 |
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trompette de hussards |
se |
69491 |
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trompette de lanciers |
se |
69512 |
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vue de tivoli |
se |
72980 |
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Wounded Cuirassier |
Date ca. 1814(1814)
Medium Oil on canvas
Dimensions 55.2 X 46 cm (21.73 X 18.11 in)
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Theodore Gericault
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French Romantic Painter, 1791-1824
Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Gu??rin, a rigorous classicist who disapproved of his student impulsive temperament, but recognized his talent.
The Charging Chasseur, 1812.Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Vel??zquez, and Rembrandt for about six years, from 1810 to 1815. There he found a vitality which he preferred to the prevailing school of Neoclassicism.
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Sweden Wholesale Oil Paintings, Stretcher Bars, Picture Frames & Beveled Mirrors
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